Tag Archives: jay of the dead

Considering the Cinema Horror Movie Review: Brightburn (2019)

Posted on by
Reply

By Jay of the Dead

Written Movie Review: Brightburn

“It may sound absurd, but don’t be naive
Even heroes have the right to bleed
I may be disturbed, but won’t you concede
Even heroes have the right to dream
And it’s not easy to be me

Up, up and away, away from me
Well, it’s all right, you can all sleep sound tonight
I’m not crazy
Or anything.”
— Superman (It’s Not Easy) by Five for Fighting

I’ve thought about it many times before. Everyone has. What would we do if Superman went on a rampage — and I don’t mean flicking peanuts at whiskey bottles? We’d all be screwed. Sure, Superman’s one weakness is Kryptonite, but who has that lying around? And even if you had some, how would you ever “use it on him”? I mean, Lex Luther is an evil super-genius, and even he’s had trouble applying the ill effects of the glowing green crystals to the Man of Steel.

“Brightburn” has a great premise for a Horror movie. And since we’re in the midst of a tidal wave of superhero movies, I suppose a movie like “Brightburn” was inevitable. In fact, the cinema has been shifting this direction for some time now with all its anti-heroes, super villains and straight-up monsters: “The Punisher,” “Hellboy,” “Watchmen,” “Deadpool,” “Split” and “Glass,” “Suicide Squad,” “Venom,” “Brightburn,” coming soon “Dark Phoenix,” and in October, “Joker.”

Now with movies like “Split,” “Venom,” “Brightburn,” and “Joker,” we have two phenomena that we really haven’t seen very much previously: An evil super villain’s stand-alone origin story, and a comfortable slide down into the darkness of the Horror genre. Continue reading →

Considering the Cinema Horror Movie Review: The Hunted (2013)

Posted on by
2

By Jay of the Dead

Written Movie Review: The Hunted 2013

When a film opens with the phrase, “Based on Actual Events” or something of the like, you can usually dismiss it altogether. We’ve learned over the decades that this typically means there is a kernel of truth that inspired the story.

Writer-director (and star) Josh Stewart was inspired by actual events that he experienced to write “The Hunted” (2013). I’ll come back to this story at the end of the review, but here’s the premise of the movie: Jake (Josh Stewart) is trying to launch a hunting reality TV show, so he travels to the woods of West Virginia with his camera man (Ronnie Gene Blevins) and tries to bag a large buck that’s been eluding hunters. Jake’s plan is to shoot a decent proof-of-concept, pilot episode that he hopes to sell to investors and a network.

But the two TV hosts become increasingly concerned when they keep hearing blood-curdling (and I mean blood-curdling) screams in the darkness of the woods. Is it an injured bobcat? Or is it a wailing ghost woman?

So, what you have here is a Found Footage film that’s in the vein of “The Blair Witch Project” (1999), but even better for my money. (Yes, co-directors Eduardo Sánchez and Daniel Myrick created a historically significant Horror film. Even Roger Ebert listed “The Blair Witch Project” among his “10 Most Influential Films of the Century”!) So, I’m not trying to take anything away from “The Blair Witch Project,” especially since it probably informed “The Hunted.” But 14 years later, we have a film that works even better to me. Continue reading →

Considering the Cinema Horror Movie Review: The Intruder (2019)

Posted on by
Reply

By Jay of the Dead

Written Movie Review: The Intruder

I know, I know. So much for principles. I caved and saw “The Intruder” (2019), that crazy Dennis Quaid film which I was publicly boycotting seeing in the theater because its marketing department carelessly revealed story beats from all three acts in the trailer. I won’t start ranting about that again, but I knew that trailer depicted the entire film in microcosm, and after seeing it, I was right. Sure enough, the trailer depicts all three acts, so there are very few surprises.

Many if not most modern-day narrative films are divided up into three acts. For “The Intruder,” the act breaks are so distinctive that the film changes genres with each act: The first act is a Drama. The second act becomes a Thriller. And the third act descends into Horror. Really, it’s a very natural progression because “Drama Is Conflict.” And if you escalate and intensify that conflict until it devolves into violence and death, then the tone changes and it becomes Horror. Therefore, my genre classification for “The Intruder” is Drama / Thriller / Horror, in descending order.

Here’s the Premise: Scott and Annie want to move out of the city and find a nice home where they can start a family. Dennis Quaid plays Charlie, a seller who just wants to make sure his beloved home is purchased by a good family. So, the couple buys Charlie’s house, but the only problem is, Charlie doesn’t seem to want to let it go. Continue reading →

Considering Horror Cinema Ep. 006: Taken Children – The Prodigy (2019), The Curse of La Llorona (2019), The Head Hunter (2019)

Posted on by
13

Podcast: Play in new window | Download

Ep. 006: Taken Children

Thanks to a very generous donation by Sean Smith and an inspiring voicemail from Greg “The Gray Man” Bensch, here is an impromptu BONUS episode of Considering Horror Cinema. I am your late-night Horror host, Jay of the Dead, and I have three, brand-new 2019 Horror movies to review for you. Coincidentally, all three films share a common theme of “Taken Children.” That wasn’t planned. It just happened.

During Episode 006, I discuss a notable film that’s a must-see Horror flick this year called The Head Hunter (2019). And I bring you reviews of the wide theater releases, The Prodigy (2019) and The Curse of La Llorona (2019).

For those who join me to consider some Horror cinema, I delve into a few important distinctions. During these reviews I explore the creation of monsters. I also compare and contrast the monstrous motivations of Pamela Voorhees versus those of La Llorona (and why the latter is a problematic character). We’ll also listen to The Gray Man’s voicemail and talk about some 1980s Horror VHS box art. If you dig Horror film criticism, I hope you’ll join me! Thanks for listening. Continue reading →

Considering the Cinema Horror Movie Review: The Curse of La Llorona (2019)

Posted on by
Reply

Written Horror Movie Review: The Curse of La Llorona (2019)

By Jay of the Dead

Note: If you’d prefer to listen rather than read, here is my audio podcast review. (It starts around the 22-minute mark.)

Before I discuss “The Curse of La Llorona” (2019), I would like to begin this review with a preface about grief-stricken mothers and drowned children. Uplifting, I know. (Oh, and incidentally, for those who don’t speak Spanish, it’s pronounced “La Yo-Roh-Na.”)

Most monsters don’t start out monstrous. They are made monstrous by some terrible experience that happens to them or someone they love. The saddest love songs are always “somebody done somebody wrong” songs. Horror movies are built the same way: Somebody done somebody wrong… Just as vegetation grows out of nutrient-rich volcanic soil, the most potent Horror seems to grow from the fertile aftermath of deep sorrow or deep rage, usually both.

Spoilers for the original “Friday the 13th” (1980) ahead:

All Horror fans know that the slasher killer in the first “Friday the 13th” movie is revealed to be Jason’s mother, Pamela Voorhees. Presumably, she was not always a monster. She only became a monster after her little boy, Jason, drowned in Camp Crystal Lake, due to the negligence of distracted counselors who were too busy “gettin’ busy” to watch her son. Continue reading →

Considering the Cinema Horror Movie Review: The Head Hunter (2019)

Posted on by
Reply

By Jay of the Dead

The Head Hunter 2019

I am always impressed when filmmakers return back to the basic, fundamental roots of what makes the art of motion pictures so potent. For instance, the well-meaning duo of Danish directors Lars von Trier (“Antichrist,” “The House That Jack Built”) and Thomas Vinterberg created the stringent “Dogme 95 Manifesto” in 1995.

Don’t worry. I won’t launch into a whole big thing, but for those who don’t know: In essence, Dogme 95 dictated that the cinema should be created by using the classic components of story, theme, performance, etc., while eschewing any reliance on the “vulgarity” of special effects or any other modern filmmaking technology. In short, the point was to “get back to the basics,” the bare bones heart of filmmaking, where the director remains free to be an artist without being henpecked by studio interference.

And that odd little preface brings me to a notable 2019 Horror film called “The Head Hunter,” formerly known as “The Head.” (Side note: “The Head Hunter” is an excellent title because its meanings are multi-faceted.) In fact, this film is not just notable for 2019; I would argue that it is also notable for the 2010s decade. “The Head Hunter” was released on April 5, 2019, and it just hit Redbox on May 7. Continue reading →

Considering Horror Cinema Ep. 005: The Monster Problem, $5 Bargain Bin Gas Station Horror Movies, and Weekend Horror VHS Rentals From the Local Video Store

Posted on by
17

Podcast: Play in new window | Download

The Monster Problem

Are you a Horror fan? Me too! I used to host three different Horror movie podcasts, so I love to explore this powerful genre and its many sub-genres. Therefore, some of my Considering the Cinema episodes are going to be dedicated to focusing solely on Considering Horror Cinema! So, Episode 005 is a long-form show, and it is entirely dedicated to exploring the Horror genre. And while I am expecting Horror fans to enjoy this episode, I am also hopeful that people who are typically non-Horror fans will also give it a listen. Above all, my underlying passion is always the cinema and film criticism. If you feel the same way, I still think you’ll enjoy your time Considering Horror Cinema with me. This is a solo podcast for people who don’t typically like solocasts…

In Episode 005, your host Jason Pyles (aka Horror moniker “Jay of the Dead”) will discuss “The Monster Problem,” video rental store nostalgia and looking for Horror movie gems in the $5 bargain bins at truck stops and gas stations. And to help me reminisce about video store nostalgia, the Gillman Joel Robertson of Horror Movie Podcast, Retro Movie Geek and Universal Monsters Cast appears as a guest contributor! I will also bring you Feature Reviews of I Trapped the Devil (2019), Jordan Peele’s Us (2019), Sole Survivor (1984) on VHS, and for some reason, Camp Death III in 2D (2019). You will also get to hear two of my three specialty segments, Jay of the Dead’s Beastly Freaks, when I’ll review Night Wolf (2012), and Jay of the Dead’s Perishable Predicament, when I review a Survival Horror film called Thirst (2010).

You are welcome to call my new voicemail number at (801) 215-9704 or email me at ConsideringTheCinema@gmail.com or post a comment. Be sure to join me for my upcoming Episode 006, when I bring you a recap of the 2019 movies I’ve seen from January through April! Join me! Continue reading →