written reviews | Considering the Cinema

By Jason Pyles

Just a quick, random note about this side-by-side artwork comparison: I was going to comment on this on Twitter, but I honestly didn’t have the energy. (Besides, Adam Frazier @AdamFrazier on Twitter, ended up doing it for me.) What can be said, really? Studios continually try to ride the wave of other successful films by emulating and imitating their poster art — down to every little detail, even color scheme — trying everything they can to strike gold again. It’s really a non-story, but I must admit that I noticed it instantly when I first saw this “Aladdin” poster art.

By way of preface, my family revisited the original, animated “Aladdin” from (1992) — on VHS, no less — just two days before seeing the new live-action version. And I should also mention up front that I have been a Will Smith fan since about 1988, even before his TV show, because I bought his cassette tape of “He’s the DJ, I’m the Rapper.” I’ve been supporting Will Smith (as much as possible) ever since, though “After Earth” even pushed my limits.

Having said all of the above, following in the footsteps of Robin Williams to reprise this genie role is a thankless and futile endeavor. Will Smith does a fine job as the genie, don’t get me wrong, but nobody’s going to give him much credit, regardless of how good his performance is. The world would never let anyone top Robin Williams’ genie performance, especially now that he’s gone and under such tragic circumstances. It would be like remaking “Citizen Kane.” It’s a fool’s errand. Continue reading →

By Jay of the Dead

“It may sound absurd, but don’t be naive
Even heroes have the right to bleed
I may be disturbed, but won’t you concede
Even heroes have the right to dream
And it’s not easy to be me

Up, up and away, away from me
Well, it’s all right, you can all sleep sound tonight
I’m not crazy
Or anything.”
— Superman (It’s Not Easy) by Five for Fighting

I’ve thought about it many times before. Everyone has. What would we do if Superman went on a rampage — and I don’t mean flicking peanuts at whiskey bottles? We’d all be screwed. Sure, Superman’s one weakness is Kryptonite, but who has that lying around? And even if you had some, how would you ever “use it on him”? I mean, Lex Luther is an evil super-genius, and even he’s had trouble applying the ill effects of the glowing green crystals to the Man of Steel.

“Brightburn” has a great premise for a Horror movie. And since we’re in the midst of a tidal wave of superhero movies, I suppose a movie like “Brightburn” was inevitable. In fact, the cinema has been shifting this direction for some time now with all its anti-heroes, super villains and straight-up monsters: “The Punisher,” “Hellboy,” “Watchmen,” “Deadpool,” “Split” and “Glass,” “Suicide Squad,” “Venom,” “Brightburn,” coming soon “Dark Phoenix,” and in October, “Joker.”

Now with movies like “Split,” “Venom,” “Brightburn,” and “Joker,” we have two phenomena that we really haven’t seen very much previously: An evil super villain’s stand-alone origin story, and a comfortable slide down into the darkness of the Horror genre. Continue reading →