Considering the Cinema Horror Movie Review: Brightburn (2019)

By Jay of the Dead

Written Movie Review: Brightburn

“It may sound absurd, but don’t be naive
Even heroes have the right to bleed
I may be disturbed, but won’t you concede
Even heroes have the right to dream
And it’s not easy to be me

Up, up and away, away from me
Well, it’s all right, you can all sleep sound tonight
I’m not crazy
Or anything.”

— Superman (It’s Not Easy) by Five for Fighting

I’ve thought about it many times before. Everyone has. What would we do if Superman went on a rampage — and I don’t mean flicking peanuts at whiskey bottles? We’d all be screwed. Sure, Superman’s one weakness is Kryptonite, but who has that lying around? And even if you had some, how would you ever “use it on him”? I mean, Lex Luther is an evil super-genius, and even he’s had trouble applying the ill effects of the glowing green crystals to the Man of Steel.

“Brightburn” has a great premise for a Horror movie. And since we’re in the midst of a tidal wave of superhero movies, I suppose a movie like “Brightburn” was inevitable. In fact, the cinema has been shifting this direction for some time now with all its anti-heroes, super villains and straight-up monsters: “The Punisher,” “Hellboy,” “Watchmen,” “Deadpool,” “Split” and “Glass,” “Suicide Squad,” “Venom,” “Brightburn,” coming soon “Dark Phoenix,” and in October, “Joker.”

Now with movies like “Split,” “Venom,” “Brightburn,” and “Joker,” we have two phenomena that we really haven’t seen very much previously: An evil super villain’s stand-alone origin story, and a comfortable slide down into the darkness of the Horror genre. Continue reading

Considering the Cinema Horror Movie Review: The Intruder (2019)

By Jay of the Dead

Written Movie Review: The Intruder

I know, I know. So much for principles. I caved and saw “The Intruder” (2019), that crazy Dennis Quaid film which I was publicly boycotting seeing in the theater because its marketing department carelessly revealed story beats from all three acts in the trailer. I won’t start ranting about that again, but I knew that trailer depicted the entire film in microcosm, and after seeing it, I was right. Sure enough, the trailer depicts all three acts, so there are very few surprises.

Many if not most modern-day narrative films are divided up into three acts. For “The Intruder,” the act breaks are so distinctive that the film changes genres with each act: The first act is a Drama. The second act becomes a Thriller. And the third act descends into Horror. Really, it’s a very natural progression because “Drama Is Conflict.” And if you escalate and intensify that conflict until it devolves into violence and death, then the tone changes and it becomes Horror. Therefore, my genre classification for “The Intruder” is Drama / Thriller / Horror, in descending order.

Here’s the Premise: Scott and Annie want to move out of the city and find a nice home where they can start a family. Dennis Quaid plays Charlie, a seller who just wants to make sure his beloved home is purchased by a good family. So, the couple buys Charlie’s house, but the only problem is, Charlie doesn’t seem to want to let it go. Continue reading

Considering the Cinema Horror Movie Review: The Curse of La Llorona (2019)

Written Horror Movie Review: The Curse of La Llorona (2019)

By Jay of the Dead

Note: If you’d prefer to listen rather than read, here is my audio podcast review. (It starts around the 22-minute mark.)

Before I discuss “The Curse of La Llorona” (2019), I would like to begin this review with a preface about grief-stricken mothers and drowned children. Uplifting, I know. (Oh, and incidentally, for those who don’t speak Spanish, it’s pronounced “La Yo-Roh-Na.”)

Most monsters don’t start out monstrous. They are made monstrous by some terrible experience that happens to them or someone they love. The saddest love songs are always “somebody done somebody wrong” songs. Horror movies are built the same way: Somebody done somebody wrong… Just as vegetation grows out of nutrient-rich volcanic soil, the most potent Horror seems to grow from the fertile aftermath of deep sorrow or deep rage, usually both.

Spoilers for the original “Friday the 13th” (1980) ahead:

All Horror fans know that the slasher killer in the first “Friday the 13th” movie is revealed to be Jason’s mother, Pamela Voorhees. Presumably, she was not always a monster. She only became a monster after her little boy, Jason, drowned in Camp Crystal Lake, due to the negligence of distracted counselors who were too busy “gettin’ busy” to watch her son. Continue reading